当代文学评论
Contemporary Literary Criticism
- 主办单位:東方陽光出版社有限公司
- ISSN:3104-560X(P)
- ISSN:3104-5618(O)
- 期刊分类:文学艺术
- 出版周期:月刊
- 投稿量:0
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论中国绘画美学对京剧旦角服饰的形塑与再造——以梅兰芳旦角服饰实践为例
A Study on the Shaping and Reconstruction of Peking Opera Dan Role Costumes under the Influence of Chinese Painting Aesthetics —A Case Study of Mei Lanfang’s Costume Practice
发布时间：2026-04-14
作者: 金羿含 :中央民族大学 北京;
摘要: 本文以京剧旦角服饰为研究对象，聚焦其美学体系与绘画艺术的交融。论文系统阐释了旦角服饰基于行当逻辑的形制分类与视觉叙事功能，进而重点论证了中国绘画美学对其产生的深刻影响。以梅兰芳的古装戏创新为核心，剖析其如何从古代书画、雕塑中提取意象，通过创立古装系统、实现色彩纹样的写意化，将绘画的构图与意境创造性转化为舞台动态视觉语言，推动了旦角服饰从类型化符号向个性化意境载体的美学升华。其“师其意而不泥其迹”的转化逻辑，不仅丰富了戏曲表现力，更为当下的艺术创作与文化创新提供了重要的转化路径与美学启示。
Abstract: This paper takes the costumes of the dan (female) roles in Peking Opera as its research object, focusing on the integration of their aesthetic system with the art of painting. The study systematically explains the classification of dan costumes based on role-type logic and their visual narrative function, and then focuses on demonstrating the profound influence of Chinese painting aesthetics on them. Centering on Mei Lanfang’s innovations in ancient costume dramas, the paper analyzes how he extracted imagery from classical paintings, calligraphy, and sculptures. By establishing the "ancient costume" system and achieving a freehand, expressive style in colors and patterns, he creatively transformed the composition and artistic conception of painting into a dynamic stage visual language. This promoted the aesthetic sublimation of dan costumes from typed symbols to carriers of individualized artistic conception. The transformative logic of "following the spirit rather than slavishly copying the form" not only enriched the expressive power of traditional Chinese opera but also provides an important transformative path and aesthetic inspiration for contemporary artistic creation and cultural innovation.
关键词: 京剧旦角服饰；绘画美学；梅兰芳；古装戏；程式与写意
Keywords: Peking Opera dan role costumes; painting aesthetics; Mei Lanfang; ancient costume dramas; conventionalization and freehand brushwork