当代文学评论
Contemporary Literary Criticism
- 主办单位:東方陽光出版社有限公司
- ISSN:3104-560X(P)
- ISSN:3104-5618(O)
- 期刊分类:文学艺术
- 出版周期:月刊
- 投稿量:0
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狂想与寂照：论中国诗电影的银幕建构
Rhapsody and Serene Illumination: On the Screen Construction of Chinese Poetic Cinema
发布时间：2026-06-15
作者: 蔡湘灵 :湖南师范大学新闻与传播学院 湖南长沙; CAI Xiangling :School of Journalism and Communication, Hunan Normal University Changsha;
摘要: 中国诗电影将古典美学传统与当代影像语言相融合，形成了独具东方韵味的艺术表达。本文从视听美学与叙事语法两个维度，探讨中国诗电影如何通过视觉留白、立象尽意、气韵生动等手法实现传统美学的影像转译，并以内聚焦视角、虚实相生的叙事结构及超现实化的时空处理，构建出具有诗性特质的叙事体系。在此基础上，进一步分析诗电影对多元人生境遇的关照、对时代图景的审美呈现以及对生命意蕴的诗意探寻。中国诗电影不仅丰富了电影艺术的表现形式，也为当代影像注入了一种沉静而深远的审美精神，正以其“无我之境”的狂想，孕育出新的诗性可能。
Abstract: Chinese poetic cinema integrates classical aesthetic traditions with contemporary film language, forging an artistic expression imbued with a distinctive Oriental charm. This article explores, from the dual dimensions of audiovisual aesthetics and narrative grammar, how Chinese poetic cinema achieves a cinematic translation of traditional aesthetics through techniques such as visual blank-leaving, lixiang jinyi (the establishment of images to fully convey meaning), and qiyun shengdong (rhythmic vitality), and how it constructs a narrative system characterized by poetic qualities by employing internal focalization, a narrative structure grounded in the interplay between the virtual and the real, and a surrealist treatment of time and space. Building on this analysis, the article further examines the genre’s attentive engagement with diverse human conditions, its aesthetic response to the tableau of the times, and its poetic exploration of the meaning of existence. Chinese poetic cinema not only broadens the expressive repertoire of film art but also infuses contemporary moving images with a serene and profound aesthetic spirit. Through its rhapsody of the "realm of non-self" (wu wo zhi jing), it is engendering new poetic possibilities.
关键词: 诗电影；东方诗境；意象；虚实相生
Keywords: poetic cinema; Eastern poetic realm; imagery; virtual-real interplay