当代文学评论
Contemporary Literary Criticism
- 主办单位:東方陽光出版社有限公司
- ISSN:3104-560X(P)
- ISSN:3104-5618(O)
- 期刊分类:文学艺术
- 出版周期:月刊
- 投稿量:0
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光影哲思：伦勃朗自画像的生命
Light and Philosophical Reflection: Life Reflected in Rembrandt's Self-Portraits
发布时间：2026-07-15
作者: 蔡妙莹 :广州华立学院 广东广州; CAI Miaoying :Guangzhou Huali University, Guangzhou;
摘要: 伦勃朗·哈尔曼松·范·莱因是17世纪荷兰黄金时代最杰出的画家之一，其一生创作了近百幅自画像，贯穿其艺术生涯的始终。这些自画像不仅是艺术家技法的演变的见证，更是其内心世界、生命境遇与哲学思考的深刻映射。本文从艺术哲学与图像学视角出发，分析伦勃朗自画像中“光影”技法的象征意义，探讨其如何通过自我描绘实现对生命历程的审视与反思。研究发现，伦勃朗的自画像从早期的自信张扬，到中期的沉静内省，再到晚期的苍凉真实，构成了一条完整的自我认知与精神救赎的路径，展现出艺术作为“自我技术”的哲学深度。
Abstract: Rembrandt Harmenszoon van Rijn was one of the most preeminent painters of the Dutch Golden Age in the 17th century. He created nearly a hundred self-portraits throughout his artistic career. These works not only record the evolution of his painting techniques, but also profoundly mirror his inner world, life experiences and philosophical contemplations. From the perspectives of art philosophy and iconology, this paper analyzes the symbolic implications of the chiaroscuro technique in Rembrandt's self-portraits, and explores how he examined and reflected on his life journey through self-portraiture. The study reveals that Rembrandt's self-portraits underwent distinct shifts: from the confident and flamboyant style in his early years, to the calm introspection in his middle age, and finally to the desolate and authentic expression in his later life. They form a complete trajectory of self-cognition and spiritual redemption, demonstrating the profound philosophical connotation of art as a "technology of the self".
关键词: 伦勃朗；自画像；光影；自我审视；生命历程；艺术哲学
Keywords: Rembrandt; self-portrait; chiaroscuro; self-examination; life journey; art philosophy