当代文学评论
Contemporary Literary Criticism
- Publisher:Eastern Sunshine Publishing House Limited
- ISSN Print:3104-560X(P)
- ISSN Online:3104-5618(O)
- Subject Category:Literature & Arts
- Publication Frequency:Monthly
- Submissions:0
- Views:416
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评创一体——《绘事微言》中批评话语的创作指向与实践纠偏
The Unity of Criticism and Creation: Creative Orientation and Practical Correction in the Critical Discourse of Huishi Weiyan
Published: 2026-11-12
Author: 曹浩天 :中央民族大学美术学院 北京; CAO Haotian :School of Fine Arts, Minzu University of China, Haidian District, Beijing;
Chinese Abstract: 唐志契所著《绘事微言》是明晚期画论中少数由职业画家撰写的批评文本。有别于同时期以鉴藏为立场的旁观者批评，唐志契以实践者身份切入，其批评话语呈现出显著的双向流动：一方面，“气韵生动”的层次拆解与“逸品”的负向约束，将原本封闭于鉴赏层面的抽象标准转化为可习得的创作路径；另一方面，关于“老嫩”及“气韵与烟润之辨”的论述，以亲身执笔绘画的经验直接纠正了批评话语中流行的表象误读。这一“评创一体”的内在机制，是唐志契有别于旁观者立场批评家的根本所在，亦为理解中国古代批评与创作的联动关系提供了典型样本。
Abstract: Tang Zhiqi’s Huishi Weiyan is one of the few critical texts on painting in the late Ming written by a professional painter. Unlike the spectator criticism of his contemporaries, which took connoisseurship and collecting as its standpoint, Tang Zhiqi approached painting as a practitioner, and his critical discourse displays a pronounced bidirectional movement. On the one hand, his layered dismantling of "qiyun shengdong" (spirit resonance, life movement) and his negative constraint on "yipin" (the untrammeled) transform abstract standards originally enclosed at the level of appreciation into a learnable path of creation. On the other hand, his discussions of "old and tender" (lao/nan) and of the distinction between qiyun and yanrun (misty moistness) directly correct, through his firsthand experience of painting with the brush, the superficial misreadings prevalent in critical discourse. This internal mechanism of "the integration of criticism and creation" is what fundamentally distinguishes Tang Zhiqi from critics who took a spectator’s standpoint, and it also provides a representative example for understanding the interactive relationship between criticism and creation in ancient China.
Chinese Keywords: 唐志契；《绘事微言》；实践型批评；气韵生动；批评史
Keywords: Tang Zhiqi; Huishi Weiyan; practice-based criticism; qiyun shengdong; history of criticism